lecture Four
Class Distinction and the main characters
|
[show]Character
genealogy |
|
|
|
|
|
|
|
|
|
Mr Hurst |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Mrs Hurst |
|
|
|
|
|
|
|
|
|
|
Mr Philips |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Caroline Bingley |
|
|
|
|
|
|
|
|
|
|
Mrs Philips |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Mr Charles Bingley |
|
|
|
|
|
|
|
|
|
|
Mrs Gardiner |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jane Bennet |
|
|
|
|
|
|
|
|
|
|
|
Mr Gardiner |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Elizabeth Bennet |
|
|
|
|
|
|
|
|
|
|
Mrs Bennet |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Mary Bennet |
|
|
|
|
|
|
|
|
|
|
|
|
|
Mr Bennet |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Catherine "Kitty"
Bennet |
|
|
|
|
|
|
|
|
|
|
Mr William Collins |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Lydia Bennet |
|
|
|
|
|
|
|
|
|
Charlotte Lucas |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Mr George Wickham |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
(Old) Mr Darcy |
|
|
Mr Fitzwilliam Darcy |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Lady Anne Darcy |
|
|
Georgiana Darcy |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Lady Catherine De Bourgh |
|
Anne De Bourgh |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Lord— |
|
Colonel Fitzwilliam |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
· Elizabeth Bennet is the main character and protagonist.
The reader sees the unfolding plot and the other characters mostly from her
viewpoint.[4]The second of the Bennet daughters at twenty years old, she is intelligent,
lively, attractive, and witty, but with a tendency to judge on first
impressions and perhaps to be a little selective
of the evidence upon which she bases her judgments. As the plot begins, her
closest relationships are with her father, her sister Jane, her aunt Mrs
Gardiner, and her best friend Charlotte Lucas.
· Mr Fitzwilliam Darcy is the main male character. Twenty-eight
years old and unmarried, Darcy is the wealthy owner of the famous family estate
of Pemberley in
Derbyshire. Handsome, tall, and intelligent, but not convivial, his aloof
decorum and moral rectitude are seen by many as an excessive pride and concern
for social status. He makes a poor impression on strangers, such as the landed gentry of Meryton,
but is valued by those who know him well.
· Mr Bennet has
a wife and five daughters, and seems to have inured himself to his fate. A
bookish and intelligent gentleman somewhat withdrawn from society, he dislikes
the indecorous behaviours of his wife and three younger daughters; but he
offers little beyond mockery by way of correcting them. Rather than guiding
these daughters to more sensible understanding, he is instead content to laugh
at them. He relates very well with his two elder daughters, Jane and Elizabeth,
showing them much more love and respect than his wife and younger daughters.
· Mrs Bennet is
the wife of her social superior Mr Bennet, and mother of Elizabeth and her sisters. She is frivolous,
excitable, and narrow-minded, and is susceptible to attacks of tremors and
palpitations. Her public manners and social climbing are embarrassing to Jane
and Elizabeth. Her favourite daughter is the youngest, Lydia.
Lady Catherine confronts Elizabeth about Darcy, on the title page of
the first illustrated edition. This is the other of the first two illustrations
of the novel.
· Jane Bennet is
the eldest Bennet sister. Twenty-two years old when the novel begins, she is
considered the most beautiful young lady in the neighbourhood. Her character is
contrasted with Elizabeth s
as sweeter, shyer, and equally sensible, but not as clever; her most notable
trait is a desire to see only the good in others. Jane is closest to Elizabeth, and her character is often contrasted with that
of Elizabeth.
· Mary Bennet is
the only plain Bennet sister, and rather than join in some of the family
activities, she reads, although she is often impatient for display. She works
hard for knowledge and accomplishment, but has neither genius nor taste. At the
ball at Netherfield she shows her lack genius and she embarrasses her family by
singing badly.
· Catherine "Kitty" Bennet is the fourth Bennet sister, aged seventeen. She
is portrayed as a less headstrong but equally silly shadow of Lydia.
· Lydia Bennetis the youngest Bennet sister, aged fifteen when the novel begins. She is
repeatedly described as frivolous and headstrong. Her main activity in life is
socialising, especially flirting with the military officers stationed in the
nearby town of Meryton.
She dominates her older sister Kitty and is supported in the family by her
mother. After she elopes with Wickham and he is paid to marry her, she shows no
remorse for the embarrassment and possible harm (as this could have hurt the
other sister s chances of marrying) that her actions caused for her family, but
acts as if she has made a wonderful match of which her sisters should be
jealous.
· Charles Bingley is a young gentleman without an estate. His wealth was recent, and he is
seeking a permanent home. He rents the Netherfield estate near Longbourn when
the novel opens. Twenty-two years old at the start of the novel, handsome,
good-natured, and wealthy, he is contrasted with his friend Darcy as being less
clever but kinder and more charming and hence more popular in Meryton. He lacks
resolve and is easily influenced by others.
· Caroline Bingley is the snobbish sister of Charles Bingley. Clearly harbouring romantic
intentions on Darcy herself, she views his growing attachment to Elizabeth
Bennet with some jealousy, resulting in disdain and frequent verbal attempts to
undermine Elizabeth
and her society.
· George Wickham is an old acquaintance of Darcy from childhood, and an officer in the
militia unit stationed near Meryton. Superficially charming, he rapidly forms a
friendship with Elizabeth Bennet, prompting remarks upon his suitability as a
potential husband. He spreads numerous tales about the wrongs Darcy has done to
him, colouring the popular perception of the other man in local society. It is
eventually revealed that these tales are distortions, and that Darcy was the
wronged man in their acquaintance.
· William Collins, aged twenty-five, is Mr Bennet s clergyman cousin and, as Mr Bennet has
no son, heir to his estate. Austen described him as "not a sensible man,
and the deficiency of nature had been but little assisted by education or
society." Collins boasts of his acquaintance with and advantageous
patronage from Lady Catherine de Bourgh. Mr Bennet, Jane, and Elizabeth
consider him pompous and lacking in common sense. Elizabeth s rejection of Collins marriage
proposal is welcomed by her father, regardless of the financial benefit to the
family of such a match. Elizabeth is later somewhat distressed, although understanding,
when her closest friend, Charlotte Lucas, consents to marry Collins out of her
need for a settled position and to avoid the low status and lack of autonomy of
an old maid.
· Lady Catherine de Bourgh, who possesses wealth and social standing, is haughty, domineering and condescending.
Mr Collins, among others, enables these characteristics by deferring to her
opinions and desires. Elizabeth,
however, is duly respectful but not intimidated. Darcy, whilst respectful of
their shared family connection, is offended by her lack of manners, especially
towards Elizabeth, and later, when pressed by
her demand that he not marry Elizabeth,
is quick to assert his intentions to marry whom he wishes.
· Aunt and Uncle Gardiner: he is Mrs Bennet s brother, and a successful businessman in London—quite sensible and
gentleman-like. His wife is close with—a mentor to—both Elizabeth and Jane, and
she proves vital in assisting Elizabeth
and in interpreting Darcy. Jane stays with the Gardiners in London
for a while, and Elizabeth
travels with them to Derbyshire, where she again meets Darcy. They both support
the Bennets by trying to help Lydia when she elopes with Wickham.
· Georgiana Darcy is Mr Darcy s quiet and amiable younger sister, aged sixteen when the
story begins. In a letter to Elizabeth,
Darcy describes events of the previous year, when Wickham tried to persuade
Georgiana to elope with him, so that he could inherit her £30,000. Later, Elizabeth meets her at
Pemberley, where she is amiable and sweet. She is very happy with her brother s
choosing of Elizabeth
and maintains a close relationship with them both.
Interrelationships
A comprehensive web showing the relationships between the main characters
in Pride and Prejudice
Major themes
Many critics take the novel s title as a starting point when analysing the
major themes of Pride and Prejudice; however, Robert Fox cautions
against reading too much into the title since commercial factors may have
played a role in its selection. "After the success of Sense and Sensibility,
nothing would have seemed more natural than to bring out another novel of the
same author using again the formula of antithesis and alliteration for the
title. It should be pointed out that the qualities of the title are not
exclusively assigned to one or the other of the protagonists; both Elizabeth
and Darcy display pride and prejudice."[5]
A major theme in much of Austen s work is the importance of environment and
upbringing on the development of young people s character and morality.[6]Social standing and wealth are not necessarily advantages in her world, and a
further theme common to Jane Austen s work is ineffectual parents. In Pride
and Prejudice, the failure of Mr and Mrs Bennet (particularly the latter)
as parents is blamed for Lydia s
lack of moral judgment; Darcy, on the other hand, has been taught to be
principled and scrupulously honourable, but is also proud and overbearing.[6]Kitty, rescued from Lydia s
bad influence and spending more time with her older sisters after they marry,
is said to improve greatly in their superior society.[7]
Style
Pride and Prejudice,
like most of Jane Austen s works, employs the narrative technique of free indirect speech.
This has been defined as "the free representation of a character s speech,
by which one means, not words actually spoken by a character, but the words
that typify the character s thoughts, or the way the character would think or
speak, if she thought or spoke".[4]By using narrative which adopts the tone and vocabulary of a particular
character (in this case, that of Elizabeth),
Austen invites the reader to follow events from Elizabeth s viewpoint, sharing her prejudices
and misapprehensions. "The learning curve, while undergone by both
protagonists, is disclosed to us solely through Elizabeth s
point of view and her free indirect speech is essential ... for it is
through it that we remain caught, if not stuck, within Elizabeth s misprisions."[4]